When the system detects a problem with a review, it may be automatically rejected, sent to the reviewer for validation, or manually reviewed by our team of content specialists who work 24/7 to maintain the quality of the reviews on our site. If the system detects something that contradicts our publication criteria, the review is not published. Before publication, each review goes through an automated tracking system, which collects information for each of the following criteria: who, what, how, and when. You can only submit a review or rating of an experience to Viator if you were the person who made the booking through Viator. You will be required to present this voucher, along with photo ID in exchange for your tickets Your tickets will be held at the theater box office for collection on the day of the performance, no earlier than one hour before performance time.Wheelchair seating (empty wheelchair space).Transfer seating (retractable arm aisle seat).Seats are assigned by the theater box office and will not be known in advance of the performance date.Credit cards will only be charged upon confirmation of show availability Availability for shows cannot be checked without making a booking.Accessible Seating, please advise in the ‘Special Requirements’ field at the time of check out:.Confirmation will be received at time of booking.STOMP makes no such claim it is the exploration of rhythm in everyday things.Ĭheck out for more details. Performance art often has the connotation that it is a performer or a group trying to make a political statement through the piece. Luke Cresswell and Steve McNicholas, the creators of STOMP, reject the idea that the show is performance art. Often, when a show defies all customary conceptions of music, dance and theatre or combines and alters the concepts in a new and unusual way, people categorize the piece as "performance art." The ideas behind STOMP- of finding music in noises which we usually try to block out and ignore - are not traditional ideas. It breaks all customary boundaries of the performing arts by inviting the audience to participate in the show, not only demonstrating that anyone has the ability to STOMP, but also encouraging us to take what we have learned about sound and rhythm and apply it to our own everyday lives. The marriage of these three elements, means that even though STOMP does not contain the traditional features, it does create an interesting and innovative show. STOMP, however, cannot be described purely as a "dance," for dance is only one of the three elements which are combined to create the show - music, theater and dance. STOMP shows a true marriage of movement and music, where both create and enhance each other. The music is created within the dance, but the dance itself is dependent on the music for its rhythm and character. In STOMP, there is a symbiotic relationship between dance and music. The entire show is highly choreographed, interweaving dance into all of its aspects. Thus, it seems that STOMP's roots are in theatre, but can it really be called "theater"? The street busker of today also echoes back to the wandering minstrel of the medieval fair. It is a very old custom, dating back to booth theaters erected at village fairs in the Middle Ages and the Renaissance. Busking is the British term for a street performance where people are encouraged to stop, listen and watch. STOMP started out as two "buskers" on the streets of Brighton. These characters are brought out through the mime and dance in the show. Each performer has an individual character which is distinct from the others. However, it does have two characteristics of traditional theater: mime and characterization. It is not theater in the traditional sense of the word. STOMP is performed in theaters, but it is not a play, musical, or opera. Do you put it under the heading of theater, dance, music or performance art? What does the word STOMP make you think of? It is very difficult to classify the show STOMP.
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